Bold claim: a fresh vampire pop opera is poised to redefine Off-Broadway, blending pop allure with dark romance, and it’s set to captivate audiences this spring. But here’s where it gets controversial: can a modern vampire narrative still feel innovative in a crowded musical theater landscape? This version of Blood/Love aims to answer that question with a high-energy blend of music, dance, and immersive storytelling.
Blood/Love is a new vampire pop opera that will bring its Off-Broadway premiere to life this spring. Performances begin at Theater 555 on February 13, 2026, with an official opening on March 3 and a limited engagement running through March 29.
The production is directed by Hunter Bird, known for Masquerade, and features choreography by two celebrated Dancing with the Stars veterans. Carey Sharpe writes the piece, with Grammy-nominated Dru DeCaro contributing as a writer. Sharpe also stars as Valerie Bloodlove, the world’s first vampire who ruled the night for millennia and now searches for meaning beyond endless bloodshed. Set in a sultry nightclub, Valerie’s long reign is challenged when she encounters a mortal with his own dark secret.
Choreography is by Jonathan Platero and Oksana Platero (renowned for DWTS and So You Think You Can Dance), alongside Natalie Malotke. Music is supervised by Matt Hinkley (The Outsiders), with Ben Covello directing the musical aspect.
The design team features Emmy winner Jason Ardizzone-West handling set design (notable work includes Jesus Christ Superstar Live). Costume design comes from Alex and Juli Abene. Lighting design is by five-time Tony nominee Japhy Weideman, and sound design by Tony winner Jessica Paz. Projection design is by Tony-winning 59 Studio (Stranger Things: The First Shadow), with prop design by Lauren Page Russell. Casting is led by Peter Dunn and Benton Whitley of Whitley Theatrical, with additional casting to be announced.
For more information, visit BloodLove.com.
This project prompts lively discussion about how new works can reinvent vampire mythos for contemporary audiences. Are modern audiences ready for a vampire story that leans into nightlife and decadence rather than gothic dread? What moments might spark debate over the portrayal of immortality and desire on stage? Share your thoughts in the comments: do you think Blood/Love will become a staple of Off-Broadway, or will it struggle to distinguish itself in a saturated market?
